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Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
In "The Origin of the Work of Art" Heidegger explains the essence of art in terms of the concepts of being and truth. He argues that art is not only a way of expressing the element of truth in a culture, but the means of creating it and providing a springboard from which "that which is" can be revealed.
The failure of proving exactly any truth as expressed by the Münchhausen trilemma does not have to lead to dismissal of objectivity, as with relativism. One example of an alternative is the fallibilism of Karl Popper and Hans Albert, accepting that certainty is impossible, but that it is best to get as close as possible to truth, while ...
At the next Salon in 1896, Gérôme showed Truth Coming Out of Her Well. [6] It has been assumed that both paintings (like a similar, later work by Édouard Debat-Ponsan) were comments on the Dreyfus affair, [7] but art historian Bernard Tillier argues that Gérôme's images of Truth and the well were part of his ongoing diatribe against ...
Their knowledge and familiarity within a given field or area of knowledge command respect and allow their statements to be criteria of truth. A person may not simply declare themselves an authority, but rather must be properly qualified. Despite the wide respect given to expert testimony, it is not an infallible criterion. For example, multiple ...
Perhaps better put, for "All Cretans are liars" to be a true statement, it does not mean that all Cretans must lie all the time. In fact, Cretans could tell the truth quite often, but still all be liars in the sense that liars are people prone to deception for dishonest gain.
(Reuters) -A work of art created by artificial intelligence without any human input cannot be copyrighted under U.S. law, a U.S. court in Washington, D.C., has ruled. Only works with human authors ...
The Western origins of perspectivism can be found in the pre-Socratic philosophies of Heraclitus [20] and Protagoras. [2] In fact, a major cornerstone of Plato's philosophy is his rejection and opposition to perspectivism—this forming a principal element of his aesthetics, ethics, epistemology, and theology. [21]