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Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
Plot structure refers to the configuration of a plot in terms of its exposition, rising action, climax, falling action, and resolution/denouement. For example, Dickens' novel Great Expectations is noted for having only a single page of exposition before the rising action begins, while The Lord of the Rings by J. R. R. Tolkien has an unusually ...
The falling action may contain a moment of final suspense: Although the catastrophe must be foreshadowed so as not to appear as a non sequitur, there could be for the doomed hero a prospect of relief, where the final outcome is in doubt. [35] Catastrophe The catastrophe (Katastrophe in the original) [36] is where the hero meets his logical ...
The Decisive Point of Action. Something takes place which makes it impossible for the "rising action" to go further. Affairs must take a new direction. The Falling Action, leading from the climax. The Final Lift, something which checks the downward action; a new problem arises. The Catastrophe, or Dénouement. The End, or the result of the ...
The piano action mechanism [1] (also known as the key action mechanism [2] or simply the action) of a piano or other musical keyboard is the mechanical assembly which translates the depression of the keys into rapid motion of a hammer, which creates sound by striking the strings.
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor).). This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice. [1] It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music [1] (Classical period and Romantic music). Characteristics of sequences: [1]
Contrast is not only a way of adding interest, and difference in a song, but is essential to the aesthetic illusion of dramatic resolution of conflict. [2] Contrast is a sector that provides a sub-conscious break to absorb the material from the main expository piece.