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Congas are now very common in Latin American music, including salsa music, as well as many other forms of American popular music. Originally it was played only using one drum; now it is common to see two, three, or four drums. Some congueros such as Giovanni Hidalgo play up to six or seven drums.
Conga players are called congueros, while rumberos refers to those who dance following the path of the players. The term "conga" was popularized in the 1930s, when Latin music swept the United States. Cuban son and New York jazz fused together to create what was then termed mambo, but later became known as salsa.
Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments ... Conga; Cajon; Guiro; Barril de ...
Carlos Valdés Galán (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban conga player. [1] In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. [2]
He invented many percussion instruments used in the Latin, Jazz, World, for which he was awarded 8 patents. [1] Cohen has captured and documented thousands of Latin and jazz musicians and performances through photography, videos, and audio recordings. [2] [3]
He is a Cuban Conguero performing classic Cuban Rumbas, Afro-Cuban folkloric and religious music. He is a Santería priest. He came to the United States of America from Havana in 1998. He plays the Batá drum, conga, cajón, timbale, and bongo drums, among other percussion instruments. Pedrito learned his craft from the streets of Havana, Cuba.
The history of the conga (also known as comparsa conga or conga de comparsa) is obscure and its origins remain largely unknown. In the early 19th century, although the word "conga" is not found in written sources, there are references to "tumbas", and, according to Brea and Millet (1993:204), "tumba" refers to the percussion ensemble of the conga.
The youngest of eleven children, Poncho Sanchez was born in Laredo, Texas and reared in Norwalk, California, while he attended Cerritos College. [1] Growing up, he was exposed to and influenced by two different styles of music: Afro-Cuban music (mambo, son, cha-cha, rumba, guaracha, and Changui) by Tito Puente and others, and bebop jazz, including the works of Dizzy Gillespie and Charlie Parker.