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The front sleeve of the 1981 album From the Lions Mouth by The Sound is the painting Daniel in the Lion’s Den by Briton Riviere. The 1982 song "Daniel" by Raffi on his Rise and Shine album. The 1982 song "Lion's Den" by Bruce Springsteen, first released on the 1998 album Tracks, alludes to the story.
Daniel in the Lions' Den Year c. 1614-1616 Medium oil paint, canvas Dimensions 224.2 cm (88.3 in) × 330.5 cm (130.1 in) Location National Gallery of Art Identifiers RKDimages ID: 28802 [edit on Wikidata] Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens that is displayed in the National Gallery of Art in Washington, D.C. The painting depicts ...
Daniel (Arabic: دانيال, Dānyāl) is not mentioned by name in the Qur'an, but there are accounts of his prophet-hood in later Muslim literature, which tells how he was rescued from lions with the aid of the prophet Jeremiah (in Bel and the Dragon it is the prophet Habakkuk who plays this role) and interpreted the king's dream of a statue ...
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9] A. (2:4b-49) – A dream of four kingdoms replaced by a fifth
Daniel in the lions' den saved by Habakkuk (France, 15th century) The Book of Daniel is an apocalypse, a literary genre in which a heavenly reality is revealed to a human recipient; such works are characterized by visions, symbolism, an other-worldly mediator, an emphasis on cosmic events, angels and demons, and pseudonymity (false authorship ...
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This is an image of the 1952 work by Robert Edward Weaver, "Daniel In the Lion's Den" (aka "Daniel") The work is executed in oil of board. Date: 15 July 2003: Source: jpeg image from the original work: Author: Photo: Markbone1 ; Painting: Robert Edward Weaver
English: Daniel in the Lions Den, from 1896 Salon catalog. The original painting has been lost, although the painter Henry Ossawa Tanner painted a nearly identical variation. The catalog print is useful to compare that variation to what the engraver saw when he looked at Tanner's painting in the Salon.