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Daniel in the Lions' Den Year c. 1614-1616 Medium oil paint, canvas Dimensions 224.2 cm (88.3 in) × 330.5 cm (130.1 in) Location National Gallery of Art Identifiers RKDimages ID: 28802 [edit on Wikidata] Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens that is displayed in the National Gallery of Art in Washington, D.C. The painting depicts ...
The front sleeve of the 1981 album From the Lions Mouth by The Sound is the painting Daniel in the Lion’s Den by Briton Riviere. The 1982 song "Daniel" by Raffi on his Rise and Shine album. The 1982 song "Lion's Den" by Bruce Springsteen, first released on the 1998 album Tracks, alludes to the story.
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Entered Daniel in the Lion's Den in the 1896 Paris Salon, his third year in the event. This is a photo of that version, which is now lost. Tanner repainted the picture later, in a horizontal layout. Daniel in the Lion's Den: Location unknown. New version, painted 1914–1917. [104] 1896 37 years old Living in Paris
Weaver's work Daniel (aka Daniel In the Lion's Den) served as the inspiration for the second movement of the piece. In the Mind's Eye enjoyed its international debut in Norway in the spring of 2013, when it was performed by the Trondheim Symphony Orchestra under conductor Krzysztof Urbanski. During the performance of the Beckel's piece, images ...
English: Daniel in the Lions Den, from 1896 Salon catalog. The original painting has been lost, although the painter Henry Ossawa Tanner painted a nearly identical variation. The catalog print is useful to compare that variation to what the engraver saw when he looked at Tanner's painting in the Salon.
This is an image of the 1952 work by Robert Edward Weaver, "Daniel In the Lion's Den" (aka "Daniel") The work is executed in oil of board. Date: 15 July 2003: Source: jpeg image from the original work: Author: Photo: Markbone1 ; Painting: Robert Edward Weaver
English: Daniel in the Lions' Den, by Briton Rivière. This version started out as a digital image that had the saturation increased digitally. Comparing to the version on the museum's website, the image was desaturated and cooled, to be closer to Briton's original.