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Les Misérables (1980) is a sung-through musical, based on the 1862 novel Les Misérables by French poet and novelist Victor Hugo.It premiered in Paris in 1980 and includes music by Claude-Michel Schönberg with original French lyrics by Alain Boublil and Jean-Marc Natel, as well as an English-language libretto by Herbert Kretzmer.
A "15" below indicates a two-octave shift. These numbers may also be used above the clef to indicate pitches one or two octaves higher. A treble clef with an eight below is the most common version, typically used in music for guitar or tenor voice. Sometimes a shift of one octave up is indicated by drawing two clefs instead of one. On a 5-line ...
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"Lord I Just Can't Keep From Crying" is a traditional gospel blues song recorded in 1928 by Blind Willie Johnson (vocals and guitar) and Willis B. Harris (vocals), who is thought to have been his first wife. [1]
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
From Under the Cork Tree is the second studio album by the American rock band Fall Out Boy, released on May 3, 2005, by Island Records as the band's major label debut. The music was composed by lead vocalist and rhythm guitarist Patrick Stump, with all lyrics penned by bassist Pete Wentz, expanding the band's songwriting approach they took for some songs on their debut album, Take This to Your ...
Guitarists [1] [8] distinguish between the "great bar"/"grand bar" or full barre chord and incomplete or "small bar" chords such as the half barre. [ 9 ] [ 10 ] [ 11 ] The small bar or regular F chord is easily obtainable, but "Being able to play the Small Bar chord formations does little towards developing the technique required to play the ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...