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Ryland Peter Cooder (born March 15, 1947) is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Ry Cooder - guitar, vocals, arrangements; Van Dyke Parks - keyboards; Flaco Jiménez - accordion; Steve Douglas - saxophone; Jorge Calderón - bass guitar; Buell Neidlinger - acoustic bass on 2, 6, 8; Jim Keltner - drums; Miguel Cruz - percussion; Bobby King, Terry Evans, Arnold McCuller, Willie Greene Jr. - backing vocals; Larry Blackmon ...
Pull Up Some Dust and Sit Down is the fourteenth studio album by American singer-songwriter and multi-instrumentalist Ry Cooder.It was released by Nonesuch Records on August 30, 2011, and written and produced by Cooder, who recorded its songs at Drive-By Studios, Ocean Studios, and Wireland Studios in California.
Paradise and Lunch is the fourth album by roots rock musician Ry Cooder, released on June 8, 1974 on Reprise Records. [6] [7] The album is composed of cover versions of jazz, blues and roots standards and obscurities recorded at the Warner Brothers Studios. [6]
Mambo Sinuendo is a studio album released by Cuban performer Manuel Galbán and producer Ry Cooder.The album was the first number-one album in the Billboard Top Latin Albums chart for Galbán and the second for Cooder (after Buena Vista Social Club in 1998), and won the Grammy Award for Best Pop Instrumental Album at the 46th Grammy Awards.
It should only contain pages that are Ry Cooder albums or lists of Ry Cooder albums, as well as subcategories containing those things (themselves set categories). Topics about Ry Cooder albums in general should be placed in relevant topic categories .
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Chicken Skin Music is probably Ry Cooder's most eccentric record since his first, but it's also one of his most entertaining." [ 2 ] Writing for ZigZag magazine in November 1976, Andy Childs said: "Apart from the obvious quality of his music, there's something about his total detachment from the very formalised and generally uninspiring rock'n ...