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The Renaissance guitar shared most similarities with the Spanish vihuela, a six-coursed instrument with similar tuning and construction. [3] Juan Bermudo in 1555 published Declaración de Instrumentos Musicales , a treatise containing a section on plucked string instruments.
The classical guitar, also known as Spanish guitar, [1] is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings.
From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works and mixed vocal/instrumental works. A wide range of musical styles and genres flourished during the Renaissance, including masses, motets, madrigals, chansons, accompanied songs, instrumental dances, and many others.
The Baroque guitar (c. 1600 –1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used ...
During the Renaissance, the guitar was likely to have been used as it frequently is today, to provide strummed accompaniment for a singer or a small group. There also were several significant music collections published during the sixteenth century of contrapuntal compositions approaching the complexity, sophistication and breadth of lute music ...
In its most developed form, the vihuela was a guitar-shaped instrument with six double-strings (paired courses) made of gut. Vihuelas were tuned identically to their contemporary Renaissance lute; 4ths and one major 3rd (44344, almost like a modern guitar tuning, with the exception of the third string, which was tuned a semitone lower).
Frederick McNeill Noad (August 8, 1929 – September 13, 2001) was a classical guitar performer, educator, and a founder of the Guitar Foundation of America.Noad was best known for his popular instructional television series, Guitar with Frederick Noad, which was originally televised on PBS in the mid-1960s and re-syndicated in color in the early 1980s, and which continues to be broadcast today.
The predecessor of the Venezuelan cuatro is the four-string Spanish renaissance guitar which disappeared in the 16th century after a short period of surging popularity. In the 1950s, Fredy Reyna documented the evolution of the renaissance guitar into the current Venezuelan Cuatro, and reinvented the cuatro as a solo instrument, equally capable ...