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Side Show is a musical by Bill Russell (book and lyrics) and Henry Krieger (music) based on the lives of Daisy and Violet Hilton, conjoined twins who became famous stage performers in the 1930s. The musical opened October 16, 1997, on Broadway ; Robert Longbottom directed and choreographed, and the cast starred Emily Skinner as Daisy and Alice ...
The license agreements of major performance rights organisations (PROs) such as ASCAP and BMI only cover what are known in contrast as "small rights", and exclude the usage of compositions within "dramatic" or "dramatico-musical" works, or the use of compositions that originated from a dramatico-musical work. Unlike small rights, grand rights ...
Some of these companies do not license dramatic performances of works, and some do. A dramatic performance of a work can be anywhere from a performance of an entire dramatic work, such as a musical, or a concert of a few of an artist's songs. ASCAP does not license dramatic performances, but The Rodgers and Hammerstein Organization does.
A recording contract (commonly called a record contract or record deal) is a legal agreement between a record label and a recording act (artist or group), where the act makes an audio recording (or series of recordings) for the label to sell and promote.
Broadway Licensing was established in 2017 by Rebel Rebel Capital, which had previously acquired Playscripts, Inc. in 2014. [4] Cercone was named president, and purchased Broadway Licensing, as well as Playscripts, two years laters in 2019, with the company rebranding as the Broadway Licensing Group (BLG).
The licensing services provided by a PRO arguably provide advantage to customers, who can simultaneously license all works the PRO represents. Criticisms PROs have been criticised for charging non-profit organisations for their use of copyrighted music in situations where the non-profit organisation was not earning money from the use.
Artists from Universal Music Group, which include Taylor Swift, Drake, Adele, Bad Bunny, and Billie Eilish, will be returning to TikTok as the two parties have struck a new licensing agreement ...
The Court ignored the idea contained in section 13(4), that authors of musical works retain an independent right of public performance even after licensing the same for incorporation in a film. The Court merely relied on the text of section 17, holding that in the absence of a contract to the contrary, the film producers would be exclusive ...