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The Waltz (French: La valse) or The Waltzers (French: Les valseurs) is a sculpture by French artist Camille Claudel. It depicts two figures, a man and a woman, locked in an amorous embrace as they dance a waltz. The work was inspired by Claudel's burgeoning love affair with her mentor and employer Auguste Rodin. Various versions were made from ...
Camille Claudel was born in Fère-en-Tardenois, Aisne, [6] in northern France, the first child of a family of farmers and gentry.Her father, Louis-Prosper Claudel, dealt in mortgages and bank transactions.
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Künstlerleben ("Artist's Life"), Op. 316 is a waltz written by Johann Strauss II in 1867, following closely on the success of the popular "The Blue Danube". Austria was severely shaken the previous year 1866 by the crushing defeat that the Austrian army suffered in the Battle of Königgrätz and many of the year's festivities and balls were cancelled as the prevalent depressing mood affected ...
The waltz (from German Walzer ⓘ, meaning "to roll or revolve") [1] is a ballroom and folk dance, in triple (3 4 time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. [2]
A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...
Michael McClure (October 20, 1932 – May 4, 2020) was an American poet, playwright, songwriter, and novelist.After moving to San Francisco as a young man, he found fame as one of the five poets (including Allen Ginsberg) who read at the famous San Francisco Six Gallery reading in 1955, which was rendered in barely fictionalized terms in Jack Kerouac's The Dharma Bums.
Waltz 5B contains the customary climax with cymbals and is loudly played. After a brief and tense coda, waltz 1A and 2B make a reappearance. As the waltz approaches its end, the zither solo makes another appearance, reprising its earlier melody in the introduction. A crescendo in the final bars concludes with a brass flourish and snare drumroll.