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They are often written in vernacular Chinese and recount the mythology surrounding a deity or a hero, or constitute the theological and philosophical scriptures of organized folk sects. [1] Baojuan is a type of performative text or storytelling found in China that emphasizes worship of ancient deities from Buddho-Daoist sects [2] often ...
Summons of the Soul, Summoning of the Soul, or Zhao Hun (Chinese: 招魂, or, with old variant 招䰟; Pinyin: Zhāo Hún) is one of the poems anthologized in the ancient Chinese poetry collection, the Chu Ci. The "Summons of the Soul" consists of a four-part poem.
Chinese Literature Today (CLT) is a biannual Chinese literature and culture journal jointly hosted and edited by Beijing Normal University and the University of Oklahoma, and produced and published by Routledge. [1] [2] Launched in summer 2010, CLT is an offshoot of the award-winning magazine World Literature Today.
Reply to Li Shuyi (Chinese: 答李淑一) is a poem written on May 11, 1957 by Mao Zedong to Li Shuyi, a friend of Mao's first wife Yang Kaihui and the widow of the executed Communist leader Liu Zhixun. In the poem, "poplar" refers to Yang Kaihui, whose surname Yang means "poplar", and who also had been executed; and "willow" is the literal ...
To some extent, the deity Hebo is a personification of the character of the Yellow River. However, Hebo has also had an important role in the history of religious worship in China (especially North China) and also having a more general function in terms of Chinese culture, including literature and poetry.
Though appreciation for the work often focuses on its philosophy, the Zhuangzi is also regarded as one of the greatest works of literature in the Classical Chinese canon. It has significantly influenced major Chinese writers and poets across more than two millennia, with the first attested commentary on the work written during the Han dynasty ...
With the arrival of Chinese immigrants who carried along with them the Confucian belief of Ancestral Worship and their respect for Nature, both practices converged and formed a new micro-culture as observed today. Datuks, referred to in Chinese as Na Tuk Kong, is considered a localised form in worship of the spirit of the land, along with Tu Di ...
The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...