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Blast from the Past is a 1999 American romantic comedy science fantasy adventure film directed and co-produced by Hugh Wilson, based on a story by Wilson—who co-wrote the screenplay with Bill Kelly—and starring Brendan Fraser, Alicia Silverstone, Christopher Walken, Sissy Spacek, and Dave Foley.
Paraphilic infantilism, also known as adult baby [1] (or "AB", for short), is a form of ageplay that involves role-playing a regression to an infant-like state. [2] [3] Like other forms of adult play, depending on the context and desires of the people involved paraphilic infantilism may be expressed as a non-sexual fetish, kink, or simply as a comforting platonic activity.
Sissy is a 2022 Australian indie psychological horror film written and directed by Hannah Barlow and Kane Senes and starring Aisha Dee in the title role as Cecilia (aka Sissy), a successful social media influencer who is invited to a bachelorette weekend by her close childhood friend before it turns into a nightmare with Hannah Barlow (who also directed and wrote the film), Emily De Margheriti ...
In Some Like It Hot (1959), two struggling musicians have to dress as women to escape the ire of gangsters. The film is a remake of a 1935 French movie, Fanfare of Love, from the story by Robert Thoeren and Michael Logan, which was remade in 1951 by German director Kurt Hoffmann as Fanfares of Love.
Sissy hypno is a form of pornography which purports to hypnotically persuade the person into self-feminization.. A 2023 study in Sexuality & Culture found that such content is viewed by cisgender men, as well as transgender women who may use the media "as a tool of sexual identity affirmation and further sexual exploration."
A Name on the Quilt: A Story of Remembrance by Jeannine Atkins; Uncle Bobby's Wedding by Sarah S. Brannen; A B C: A Family Alphabet Book by Bobby Combs; 1 2 3: A Family Counting Book by Bobby Combs; Oliver Button is a Sissy by Tomie dePaola; Asha's Mums by Rosamund Elwin and Michele Paulse; The Sissy Duckling by Harvey Fierstein; Molly's Family ...
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This was especially common in the story-telling of ancient stories such as the character Benten from Benten Kozō. He was a thief in the play cross-dressing as a woman. Cross-dressing was also exhibited in Japanese Noh for similar reasons. Societal standards at the time broke boundaries between gender.