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Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in ...
Inscribed Rembrandt f. 1634 Bearded Old Man in a High Fur Cap: c. 1634-1635: Pen and brown ink on: 10.5 x 9.6 cm: Morgan Library, New York: The drawing is related to the painting W110 : Two Studies of John the Baptist: c. 1634-1635: red chalk on paper: 18.2 x 17.4 cm: Courtauld Gallery, London: The drawing is related to the painting W110
A painting valued at $15,000 just two years ago fetched almost £11 million ($13.8 million) at a Sotheby’s auction on Wednesday after being identified as the work of the Dutch master Rembrandt.
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. ... Nuggets rout Magic 112-90.
The Sampling Officials (Dutch: De Staalmeesters), also called Syndics of the Drapers’ Guild (Dutch: De waardijns van het Amsterdamse lakenbereidersgilde), is a 1662 oil painting by Rembrandt. It is now in the Rijksmuseum in Amsterdam. [1] It has been described as his "last great collective portrait". [2]
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Rembrandt was only around eighteen years old when the paintings were made; they are his earliest surviving works, and are of identical size. [ 2 ] In about the 1720s the four known paintings were extended, but only one, Smell , retains the additions and those are now concealed by its frame, so that it appears to retain its original format.