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Guruvayurappane by Ambujam Krishna; Vrndavana-nilaye radhe, enna punniyam seidenoby Oothukkadu Venkata Kavi; Malarinai thunai, tattvamariya tarama by Papanasam Sivan; Mama hrdaye vihara dayalo by Mysore Vasudevacharya; Pari-palaya mam shri padmanabha murare by Swathi Tirunal; Ninnu vina mari galada by Shyama shastri
A Bhajan may be sung individually, but more commonly together as a choral event wherein the lyrics include religious or spiritual themes in the local language. [ 1 ] [ 4 ] Bhajans often describe loving devotion to a deity, legends from the Epics or the Puranas, compositions of Bhakti movement saints, or spiritual themes from Hindu scriptures ...
Om Namo Bhagavate Vāsudevaya means "prostration to Vasudeva", who is variously understood as Krishna. [9] The Vaishnava Upanishads state that this mantra is described on the Sudarshana Chakra: [10] Similarly, in the twelve petals, is placed the Vasudevan (the twelve-syllabled Mantra, Om Namo Bhagavate Vasudevaya). —
Jamboopathe by Muthuswamy Dikshitar, set to Rupaka talam is a famous composition. Some other famous compositions in Yamunakalyani are Krishna Nee Begane by Vyasatirtha, Bhavayami Gopalam by Annamacharya, Pibare Ramarasam by Sadashiva Brahmendra, O Rama Nee Nama by Bhadrachala Ramadasu, Sri Ramachandra Kripalu by Sant Tulsidas, Haridasulu by Tyagaraja and Kadana Vatsava Hari by Vijayadasa in ...
Krishna's childhood illustrates the Hindu concept of Lila, playing for fun and enjoyment and not for sport or gain. His interaction with the gopis at the rasa dance or Rasa-lila is an example. Krishna plays his flute and the gopis come immediately, from whatever they were doing, to the banks of the Yamuna River and join him in singing and ...
Jai Shri Krishna expression is widely used expression to greet people during the Hindu festival of Janmashtami, which celebrates the birth of Krishna. [9] [10] In the present day, Jai Shri Krishna is widely used among the Vaishnava community, Gujaratis, and Rajasthanis, based in and out of India. [11] [12] [13] [14]
In her poems, Krishna is a yogi and lover, and she herself is a yogini ready to take her place by his side in a spiritual marital bliss. [9] Meera's style combines impassioned mood, defiance, longing, anticipation, joy and ecstasy of union, always centred on Krishna.
Sri Krishna Leela Tarangini is a tarangini or a Sanskrit opera authored by Narayana Teertha. [ 1 ] [ 2 ] The songs are in chaste Sanskrit and clear diction and are rich in poetic quality. Tarangini is an opera highly suitable for dance drama and it has been very well utilized by Indian classical dancers over the last two centuries.