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The Alexa LF and Alexa Mini LF use the A2X sensor, composed of two vertical ALEV III sensors, which has a 36.70mm × 25.54mm active imaging area. It provides up to 4448×3096 maximum recordable resolution. The Alexa 65 uses the A3X sensor, composed of three vertical ALEV III sensors, which has a 54.12 mm × 25.59 mm active imaging area.
Arri: Alexa LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW) 160 - 3200 (800 native) 13.5 stops [11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV: 23.98-150 Arri: Alexa Mini LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW ...
ARRI Alexa LF and Mini LF. Converted to 3D. [62] [82] Dancing Village: The Curse Begins: 11 April 2024: ARRI Alexa LF and Mini LF. [83] Joker: Folie à Deux: 4 October 2024: ARRI Alexa IMAX, ARRI Alexa LF and Sony CineAlta Venice [62] [84] Venom: The Last Dance: 25 October 2024: ARRI Alexa LF and Mini LF. [62] [85] Captain America: Brave New ...
The 35 mm film gauge has long been the most common gauge in professional usage, and thus enjoys the greatest number of cameras currently available for professional usage. The modern era of 35 mm cameras dates to 1972, when Arri 's Arriflex 35BL and Panavision 's original Panaflex models emerged as the first self-blimped, lightweight cameras.
Other films between 2022 and 2024 that are captured with IMAX-certified cameras are Sam Raimi's Doctor Strange in the Multiverse of Madness (Shot with the Panavision Millennium DXL2), Taika Waititi's Thor: Love and Thunder (shot with ARRI Alexa LF and Mini LF), Ryan Coogler's Black Panther: Wakanda Forever (shot with the Sony CineAlta Venice ...
Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image.
Arri bayonet was a lens mount developed by Arri for use with both 16 mm and 35 mm movie camera lenses. Lenses of this type are distinguished by "outer wings" which both control aperture and bayonet alignment, and are placed in the mount while two pressure tabs are simultaneously depressed at the side of the lens mount on the camera.
The final sequence was filmed on the LED stage at Manhattan Beach Studios, using an ARRI Alexa Mini LF camera and Panavision PVintage lenses to complement and seamlessly match the 35mm cinematography of the rest of the film. Helman revealed that Spielberg enjoyed experimenting with the new technology and that "StageCraft is a different way of ...