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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
In the mid-19th century, Lavers, Barraud and Westlake were among many young designers who responded to the growing market for stained glass windows. The partnership initially comprised Nathaniel Wood Lavers (1828–1911) and Francis Philip Barraud (1824–1900). [note 1] Both were originally employed at the workshops of James Powell and Sons.
Stained glass conservation refers to the protection and preservation of historic stained glass for present and future generations. It involves any and all actions devoted to the prevention, mitigation , or reversal of the processes of deterioration that affect such glassworks and subsequently inhibit individuals' ability to access and ...
The Preservation of Historic Architecture: The U.S. Government's Official Guidelines for Preserving Historic Homes. Lyons Press Series. Globe Pequot. pp. 397–403. ISBN 1-59228-126-5. The Census of Stained Glass Windows in America (1988). The Conservation and Restoration of Stained Glass: An Owner's Guide. Raleigh, NC: Stained Glass Associates.
Clement Heaton (1824–82) [3] founded his own stained glass firm in 1852, joined by James Butler in 1855. Between 1859 and 1861 they worked alongside Clayton and Bell and were joined by Robert Turnill Bayne (1837–1915), who became their sole designer and a full partner in the firm in 1862.
Detail of the Simeon window in St Brendan's Cathedral, Loughrea. The official start of Michael Healy's stained glass career coincided with the opening of An Túr Gloine in January 1903, and for the first two years he executed, or assisted in the execution of, a total of thirteen stained glass windows; in the case of the majority of these he assisted in the painting (often working alongside ...
Munich-style stained glass was produced in the Royal Bavarian Stained Glass Manufactory, Munich, in the mid-19th century. [1] King Ludwig I [1] opened the glassworks in 1827 which continued production of high quality glass until the early 20th century. Franz Xaver Zettler headed the operation for much of this time. [2]
The Stained Glass Museum, Ely Cathedral: Ely, Cambridgeshire 1927 St. Wilfred and St. John Berchmans with the Presentation of our Lady in the Temple in lower panel Originally made for the Convent of Notre Dame at Dowanhill in Glasgow, Scotland. Acquired by the museum in 1998. [71] Christ the King Church Tullycross [72] [73] Renvyle, Co. Galway 1927