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The distinguishing feature of a table knife is a blunt or rounded end. The origin of this, and thus of the table knife itself, is attributed by tradition to Cardinal Richelieu around 1637, reputedly to cure dinner guests of the habit of picking their teeth with their knife-points. [3]
Richelieu is known as the inventor of the table knife. Annoyed by the bad manners that were commonly displayed at the dining table by users of sharp knives (who would often use them to pick their teeth), [100] in 1637 Richelieu ordered that all of the knives on his dining table have their blades dulled and their tips rounded. The design quickly ...
Portrait of Cardinal Richelieu is a portrait painting by the Flemish-born French painter Philippe de Champaigne, Richelieu's favourite portraitist. It was painted a few months before the cardinal's death, in 1642, and is now in the Musée des Beaux-Arts of Strasbourg. Its inventory number is 987–2–1. [1]
Portrait of Cardinal Richelieu is one of 21 surviving oil on canvas portraits of cardinal Richelieu by Philippe de Champaigne. Produced in 1633-1640, it is now in the National Gallery, London , to which it was presented by Charles Butler in 1895.
Marie de' Medici confronts Cardinal Richelieu before Louis XIII.Illustration by Maurice Leloir (1901). Day of the Dupes (in French: la journée des Dupes) is the name given to a day in November 1630 on which the enemies of Cardinal Richelieu mistakenly believed that they had succeeded in persuading King Louis XIII of France to dismiss Richelieu from power. [1]
The twelfth is the cardinal’s antechamber, and on the stove is Hercules painted with this inscription: Armandus Richelieu, Hercules admirandis. The thirteenth is the cardinals chamber, and on the stove stands Saturn. The fourteenth is “le Cabinet” of the cardinal, where are two globes made from metal, one of the sky and one of the earth.