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The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
The original paintings lacked a base coating such as those found in Ajanta and other caves of India. At the Jogimara cave, the murals show a white base of lime. The painter sketched his (or her) ideas with an outline, which was done in red. The fresco was completed using three colors – red, yellow and black. [6]
The pre-historic paintings were generally executed on rocks and these rock engravings were called petroglyphs.These paintings generally depict animals like bison, bear, tigers etc. [11] The oldest Indian paintings are rock art in caves which are around 30,000 years old, such as the Bhimbetka cave paintings.
The Bhimbetka rock shelters are an archaeological site in central India that spans the Paleolithic and Mesolithic periods, as well as the historic period. [1] [2] It exhibits the earliest traces of human life in India and evidence of the Stone Age starting at the site in Acheulian times.
Yogimath Rock Art- Inscription, Odisha. The granite hillock Risipith preserves paintings from prehistoric times on an inclined surface of a boulder. The shelter was first reported by J.P Sing Deo in 1976. Dr. Subrat Kumar Prusty was the first person to read the Yogimatha rock painting of the Yogimatha [4] which was in an old Indian script.
The paintings on the wall and ceilings of the Viharas of Bagh, the fragments of which are still visible in Cave 3 and Cave 4 (remnants seen also in Caves 2, 5 and 7), were executed in tempera. Cave 2 is the best preserved cave, also known as "Pandava Cave" These paintings are materialistic rather than spiritualistic.
A cave painting in Indonesia is the oldest such artwork in the world, dating back at least 51,200 years, according to an international team of researchers who say its narrative scene also makes it ...
Similar depictions are found in the paintings of Cave 17, but this time in direct relation to the worship of the Buddha. In Cave 17, a painting of the Buddha descending from the Trayastrimsa Heaven shows he being attended by many foreigners. Many foreigners in this painting are thus shown as listeners to the Buddhist Dharma. [297]