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The Winslow Homer Studio is the historic studio and home of the artist Winslow Homer, which is located on what is now Winslow Homer Road on Prouts Neck in Scarborough, Maine. Maine architect John Calvin Stevens altered and expanded an existing carriage house to suit Homer's needs in 1884, even moving the building 100 feet for added privacy from ...
Prouts Neck is known also for artist Winslow Homer (1836–1910). The Winslow Homer Studio there, overlooking Cannon Rock, is a National Historic Landmark . [ 1 ]
Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
This remodeled carriage house served as the studio of artist Winslow Homer from 1884 until is death. It is now a property of the Portland Museum of Art, which seasonally offers tours. 19: Isaac H. Evans: Isaac H. Evans
Winslow Homer Studio: Scarborough: Cumberland: Southern Maine Coast: Historic house: House and studio of artist Winslow Homer, tours by the Portland Museum of Art Wiscasset, Waterville, and Farmington Railway Museum: Alna: Lincoln: Mid Coast: Railway: 2 ft (0.61 m) (610 mm) gauge heritage railway and museum Woodlawn Museum: Ellsworth: Hancock ...
Moonlight, Wood Island Light is a late 19th-century oil painting by American artist Winslow Homer. The painting is in the collection of the Metropolitan Museum of Art in New York. [1] Moonlight depicts a nighttime seascape outside of Homer's studio in Portland, Maine.
The Fog Warning is one of several paintings on marine subjects by the late-19th-century American painter Winslow Homer (1836–1910). Together with The Herring Net and Breezing Up, painted the same year and also depicting the hard lives of fishermen in Maine, it is considered among his best works on such topics.
She writes, "In reality, the offshore wave would break only at low tide, but the wave fills the inlet only at high tide." In his Winslow Homer in the 1890s: Prout's Neck Observed, Homer expert Philip Beam noted the artist's rearranging of the horizontal ledges of rock into a triangular shape so that "it rivets attention on his main motive". [1]