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A recessional hymn or closing hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church , the Seventh-day Adventist Church , and Anglican Church , an equivalent to the concluding voluntary , which is called a Recessional Voluntary, for example a Wedding Recessional.
The hymn also served as the recessional in the 2004 funeral of President Ronald Reagan. That rendition was sung by the Armed Forces Chorus with the United States Marine Chamber Orchestra . The hymn is featured on the CD of the same name by the Morriston Orpheus Choir from Wales.
Hans Werner Henze's Das Floß der Medusa, written in 1968 as a requiem for Che Guevara, is properly speaking an oratorio; Henze's Requiem is instrumental but retains the traditional Latin titles for the movements. Igor Stravinsky's Requiem Canticles mixes instrumental movements with segments of the "Introit," "Dies irae," "Pie Jesu," and ...
In Paradisum served as the inspiration for popular Protestant jazz piece "When the Saints Go Marching In", which share the same first four notes, similar textual meaning, and use during the funeral procession of the body from the church to the cemetery in Black Protestant churches.
The stately, mournful piece was played at the Duke of Edinburgh’s funeral in April 2021, as well as the procession to the lying in state of the Queen Mother and the funeral of King Edward VII.
The normal memorial service is a greatly abbreviated form of Matins, but the Requiem contains all of the psalms, readings, and hymns normally found in the All-Night Vigil (which combines the Canonical Hours of Vespers, Matins and First Hour), providing a complete set of propers for the departed. The full requiem will last around three-and-a ...
Christian funeral music (1 C, 11 P) D. Albums in memory of deceased persons (38 P) R. Requiems (1 C, 36 P) S. ... Funeral March of a Marionette; Funeral Song ...
Introduced by an instrumental passage recalling motifs from the Sonatina, the first lines of the hymn are set for four parts. [11] The movement ends in a double fugue on Amen marked Allegro. [2] The musicologist Julian Mincham notes that the fugal section became the "major focus of the piece". [11]