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The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
Oil paint is a medium made up of pigments and a drying oil binding agent. Various other ingredients can be mixed in to condition the paint in several ways and modify its various properties and drying. [1] Oil paintings are painted on various surface support types. Oil on canvas, oil on board, and oil on metal are only some examples of oil ...
Traditional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint. Oil paint is usually mixed with linseed oil, artist grade mineral spirits, or other solvents to make the paint thinner, faster or slower drying. (Because the solvents thin the oil in the paint, they can also be ...
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The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues , resin , and gesso ), and an image layer ( encaustic , tempera , oil ). [ 1 ]
Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
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The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...