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The Incantation [1] (Spanish: El conjuro) is a painting by the Spanish artist Francisco Goya. It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme.
Liang published Phan's 1905 work Việt Nam vong quốc sử (History of the Loss of Vietnam) and intended to distribute it in China and abroad, but also to smuggle it into Vietnam. Phan wanted to rally people to support the cause for Vietnamese independence; the work is regarded as one of the most important books in the history of Vietnam's ...
Don Juan and the Commendatore [1] (Spanish: Don Juan y la estatua del Comendador or El burlador de Sevilla) is a painting by the Spanish artist Francisco Goya.It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme.
According to Đại Việt sử ký toàn thư, Phạm Ngũ Lão was born in 1255 in Phù Úng, Đường Hảo, Thượng Hồng (now Ân Thi, Hưng Yên). [1] At the age of about 20 when his talent was noticed by Prince Hưng Đạo Trần Quốc Tuấn after sitting still whilst weaving a basket in the open road, not responding with anything other than "I am thinking about war."
The Four Immortals (Vietnamese: Tứ bất tử, chữ Hán: 四不死) refers to the four chief figures in the pantheon of genii worshiped by the Vietnamese people of the Red River Delta region in legend and mythology. [1]
Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823). His paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition , which had been active in Witch hunting during the seventeenth ...
Pilgrimage to the Fountain of San Isidro or The Holy Office (Spanish: Peregrinación a la fuente de San Isidro or El Santo Official [1]) are names given to an oil mural by the Spanish artist Francisco Goya (1746–1828), probably completed between 1821 and 1823.
Ngô Quyền was born in 898 AD in Đường Lâm (modern-day Sơn Tây District, Hanoi of northern Vietnam) during the Tang dynasty.He was the son of Ngô Mân, an influential official in Phong, Annan (today Phu Tho province). [3]