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In 2019, The Fashion Spot included RockMyRun in their list of "The Best Workout Apps for People Who Hate to Work Out", saying: "RockMyRun matches music to the tempo of your running pace – the music literally follows your steps/heart rate. The app has thousands of mixes/music options along with tracking capabilities."
A lyrical music video was made available onto YouTube on October 31, 2011 to accompany the release of "Ass Back Home", at a total length of three minutes and forty-four seconds. [18] An official music video, directed by Dugan O' Neal was then made available on December 9, 2011—amassing over eighty-three million views as of June 19, 2021. [ 19 ]
The song is featured in the films The Guard, Bringing Down the House, Blue Crush, and Piece by Piece. The Jason Nevins remix of the song has been featured in numerous video games such as Burnout Dominator, Burnout Paradise, and Forza Motorsport 2 as well as movie trailers for Shanghai Knights, The Fast and the Furious: Tokyo Drift and the 2004 film Taxi, and was featured in an Apple iPod advert.
"Stereo Hearts" is a song by American rap rock group Gym Class Heroes featuring Maroon 5 frontman Adam Levine. The song was released on June 14, 2011, as the lead single from the group's fifth studio album The Papercut Chronicles II (2011). [2]
Loud, high tempo music positively correlates with increased running rate and heart rate. [18] Higher tempo music, specifically music greater than 120 BPM, leads to what is called an ergogenic effect on physical performance; an ergogenic effect is any substance or mechanical device that leads to greater physical performance.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
The song has since peaked at number thirteen. As of September 2013, the song has sold 1,853,000 downloads in the United States. [7] On May 6, 2013, the single was certified double platinum by the Recording Industry Association of America (RIAA) for sales of over a two million digital copies in the United States. [8]
The song was subject to generally favorable reviews from music critics. Derek Xu of Medium looked at it as being "a satirical anthem, just like "We Don't Care"". [1] Tareck Ghoneim of Contactmusic.com had praise for West's performance: "[he shows] excellent wordplay that is original, humorous and the touch of irony makes for very clever use of lyrics". [2]