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The album is a concept album that serves as a satire of the music industry, and loosely tells a tale of a broken-down pop singer, with various "interview" interludes scattered throughout the project. [9] [1] The single chosen from the album was keyboardist Clive Scott's arrangement [9] of the Johann Sebastian Bach tune, Jesu, Joy of Man's ...
Harris moved to England in 1952 [5] and became an art student at City and Guilds of London Art School in South London, aged 22. In 1953 he found work in television, at the BBC, performing a regular ten-minute cartoon drawing section in a one-hour children's show called Jigsaw, with a puppet called "Fuzz", made and operated on the show by magician Robert Harbin.
Jigsaw's last charting single, "A Rose Has to Die" (June 1974), [1] [5] reached No. 19 on the Kent Music Report singles chart. [22] Their compilation album, Best of Jigsaw , appeared in 1975. [ 1 ] They continued performing on the Melbourne pub circuit in the mid-1970s and issued their last single, "Every Day, Every Night", in January 1977.
Of these, the highest charting was a cover version of Cochran's "Summertime Blues", which appeared at No. 6 in December 1962. [1] He had also issued his debut album, Wild and Warm in 1963 and two extended plays, Johnny Chester's Hit Parade and My Blues and I, with W&G. [1] In February that year, he took over as host of Teen Time on Ten, on the ...
Jigsaw is the fourth studio album by guitarist Mike Stern, released in 1989 through Atlantic Records and reissued on July 17, 2007, through Wounded Bird Records. [2] The album reached #12 on Billboard ' s Top Contemporary Jazz Albums chart in 1989.
Bottom Line is an album by the English musician John Mayall, released in 1979. [1] It was produced by Bob Johnston . [ 2 ] It is the only Mayall album that has never been released on CD.
Live: Take No Prisoners is a 1978 live album by American musician Lou Reed, recorded during May 1978 at The Bottom Line in New York.. The album contains copious, often profane or non-sequitur stage patter by Reed during and between songs, including a detailed story of the origin of "Walk on the Wild Side" and a rant against rock music critics, particularly Robert Christgau.
The 12" version of the song at the full length of 8:40 is considered the definitive version, featuring parts one and two. Part one is a slightly longer than the album version, and part two is the extended "rap" alluded to on the album version when it fades with "I'm gonna take you to part two."