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Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting by Chinese artist Chen Rong. [1] Painted in 1244, it depicts the apparitions of dragons soaring amidst clouds, mists, whirlpools, rocky mountains and fire, the painting refers to the dynamic forces of nature in Daoism and the liquid, water-like essence of the Tao. [2]
The 1981 novel Red Dragon by Thomas Harris heavily features the Blake painting. The primary antagonist is driven by a psychological obsession with the painting, including having the painting tattooed onto his back and the belief that his murders will help him to transform into the Red Dragon.
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Dragon (Dutch: Draak) is a wood engraving print created by Dutch artist M. C. Escher in April 1952, depicting a folded paper dragon perched on a pile of crystals. [1] It is part of a sequence of images by Escher depicting objects of ambiguous dimension, including also Three Spheres I, Doric Columns, Drawing Hands and Print Gallery.
Heighway dragon curve. A dragon curve is any member of a family of self-similar fractal curves, which can be approximated by recursive methods such as Lindenmayer systems.The dragon curve is probably most commonly thought of as the shape that is generated from repeatedly folding a strip of paper in half, although there are other curves that are called dragon curves that are generated differently.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]
The Dragon and the Raven, or The Days of King Alfred: G. A. Henty: Drawing on his experience as a war correspondent Henty gives vivid picture of the horrors of the Danish invasions. The story of young Edmund, who joins Alfred's struggle against the hordes of marauding invaders. "Impeccably researched and extremely fast-paced". [18] 1901