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On 2, swivel on the heel, the right toe swinging to the right, while doing a small step by the left foot to the side, almost in place or simply transferring the weight onto the left foot, or stepping slightly back. Step 1 may also be accompanied with a light swivel of the left toe. One may continue in one of the ways: Repeat steps 1 and 2 ...
The leader steps forward on either foot whilst the follower steps backward on the opposing foot (e.g.: the leader steps forward on their right foot whilst the follower steps back on their left). Both partners will then step to the side on the other foot, and conclude the figure by closing the first foot beside the second (hence the name "closed ...
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Box step, the basic move in some American style ballroom dances: rumba [3] and arguably waltz [4] and bronze-level foxtrot. [5] Cha-cha-cha. There are several variants of the basic movement in cha-cha-cha: basic, open basic, basic in place. [6] Lindy basic in lindy hop [7] Mambo basic in mambo; Salsa basic in salsa [8] Zydeco basic in zydeco
back and slightly leftward (for the left foot) or rightward (for the right foot) in contra body movement position (CBMP): forward in CBMP (i.e., the moving foot is placed directly in front of the supporting foot), forward and across in CBMP (i.e., the moving foot crosses in front of the supporting foot), back in CBMP, back and across in CBMP.
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
A step to the side is taken with the left foot, the right foot is half closed towards the left foot (typically leaving both feet under the hips or perhaps closed together), and finally there is a last step to the left with the left foot. The length of the steps in the chasse depends very much on the effect the dancer is attempting to make. [10 ...
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