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The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
In line dances this step is also known as heel twist (actually refers to step 2) or grind walk. The step is also used in jazz dance , and in Salsa shines. The step originated from a novelty dance of the 1930s with the same name addressed in the 1936 song Doin' the Suzie-Q by Lil Hardin Armstrong .
Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread. Clave awareness within the salsa community has served as a cultural "boundary marker", creating an insider/outsider dichotomy, between Cuban and non-Cuban, and between Latino and non-Latino.
The mambo dance that was spearheaded by Pérez Prado and was popular in the 1940s and 1950s in Cuba, Mexico, and New York is completely different from the modern dance that New Yorkers now call "mambo" and which is also known as salsa "on 2". The original mambo dance contains no breaking steps or basic steps at all.
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
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In the diagram below 6 8 (son) clave is shown on top and a beat cycle is shown below it. Any or all of these structures may be the emphasis at a given point in a piece of music using the "6 8 clave". Different ways to count the 6 8 clave, the first of which is correct Play ⓘ The example on the left (6 8) represents the correct count and ...