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It is generally accepted that Filippo Brunelleschi conducted a series of experiments between 1415 and 1420, which included making drawings of various Florentine buildings in correct perspective. [19] According to Vasari and Antonio Manetti , in about 1420, Brunelleschi demonstrated his discovery of prospective by having people look through a ...
De prospectiva pingendi (On the Perspective of Painting) is the earliest and only pre-1500 Renaissance treatise solely devoted to the subject of perspective. [1] It was written by the Italian master Piero della Francesca in the mid-1470s to 1480s, [ 2 ] and possibly by about 1474. [ 3 ]
The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Here he knew contemporary art innovators such as Filippo Brunelleschi, Donatello and Masaccio, with whom he shared an interest for Renaissance humanism and classical art. Alberti was the first post-classical writer to produce a work of art theory , as opposed to works about the function of religious art or art techniques, and reflected the ...
The Marvellous Works of Nature and Man in 1981, won the Mitchell Prize in art history for best first book. [13] He has published on imagery in the sciences of anatomy, natural history and optics, including The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat (Yale University Press).
Brunelleschi also returned several times to find inspiration for what was the Renaissance art. [7] While in Florence, Masaccio , first great Italian painter of the Quattrocento , became friends with Brunelleschi and Donatello, and at their prompting in 1423 travelled to Rome, along with his mentor Masolino .
Saint Peter of Orsanmichele is one of the more-discussed statues of the complex, although the documentation for its provenance and dating are lost. The traditional attribution was to Donatello, as reported by Giorgio Vasari in his Le Vite, where he wrote that the work as commissioned from Brunelleschi and Donatello but that only the second performed the work and brought it "to perfection."
Antonio di Tuccio Manetti (6 July 1423 – May 26, 1497) was an Italian mathematician and architect from Florence. [1] He is particularly noted for his investigations into the site, shape and size of Dante's Inferno.