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"Yo También" (English: "Me Too") is a song written and performed by Bachata singer Romeo Santos featuring Salsa singer Marc Anthony Released as the fifth single for his second studio album Formula, Vol. 2 (2014). The music video was released on January 23, 2015.
Llorona, mucho te adoro. Tú no sabes si te quiero, Llorona, porque no sabes que lloro. Tú no sabes si te quiero, Llorona, porque no sabes que lloro. Si porque te quiero, quieres, Llorona, que yo la muerte reciba, Si porque te quiero, quieres, Llorona, que yo la muerte reciba, Que se haga tu voluntad, Llorona, que muera por que otro viva.
"Ella y Yo" (Pepe Quintana featuring Farruko, Tempo, Anuel AA, Almighty, and Bryant Myers) 2016 34 — RIAA: Platinum [13] Non-album single "Maltrato" (Sou El Flotador featuring Bryant Myers and Lary Over) — — Mr. Fly "Volverte A Ver" (Nio García featuring Anuel AA and Bryant Myers) — — Non-album single "Bebiendo y Fumando"
Te Quiero (Spanish for I Want/Love You) may refer to: Te Quiero: Romantic Style In Da World, a 2007 album by Flex "Te Quiero" (Flex song), a 2007 song on the above album "Te Quiero" (Ricardo Arjona song), 2012 "Te Quiero" (Stromae song), 2010 "Te Quiero", a 2019 song by Fede Vigevani; Te Quiero, a 1978 Mexican romantic drama movie
"Quiero", song by Miranda! from the album Sin Restricciones (2004) See also. Te Quiero (disambiguation) All pages with titles beginning with Yo quiero
"Te He Echado de Menos" (Spanish for "I've Missed You") is a song written and performed by Spanish singer Pablo Alborán. It first appeared on his 2011 live album En Acústico, and was later included on revised editions of his albums Pablo Alborán and Tanto. A studio recording of the song was released as a digital single in February 2012.
"Te Quiero" (English: "I Love You") is the debut single by Panamanian singer Flex from his debut studio album Te Quiero: Romantic Style in da World released on September 28, 2007. In 2008, the number serves as main-theme of Mexican telenovela Central de
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]