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The dougong (Chinese: 斗拱; pinyin: dǒugǒng; lit. cap [and] block; Vietnamese: Đấu củng) is an important part of Chinese architecture, is rarely or not found in Vietnamese architecture starting from the Lý dynasty where Vietnamese architecture began to develop and innovate away from Chinese traditional architecture. Vietnamese ...
Đình (Chữ Hán: 亭 or 庭) or Vietnamese communal houses are typical of buildings found in Vietnam villages, dedicated to worship the village God Thành hoàng, the village founder or a local hero. They also play the role as a meeting place of the people in the community, akin to modern civic centers.
An ancestral house (Vietnamese: nhà thờ họ, chữ Nôm: 茹悇𢩜 or Vietnamese: từ đường, chữ Hán: 祠堂) is a Vietnamese traditional place of worship of a clan or its branches which established by male descendants of paternal line. This type of worship place is most commonly seen in northern Vietnam as well as middle Vietnam. [1]
In traditional Vietnamese culture, kinship plays an important role in Vietnam. Whilst Western culture is known for its emphasis on individualism, Vietnamese culture places value on the roles of family. For specific information, see Vietnamese pronouns. In current rural Vietnam, one can still see three or four generations living under one roof.
The phrase Hòn non bộ comes from the Vietnamese language: Hòn (𡉕) means islands, non (𡽫) means mountains, and bộ 部 means a set, in this context, the islands and the mountains are one set. Hòn non bộ may be quite large and elaborate or small and simple. It was used to grace the courtyard entrance of the traditional Vietnamese home.
A typical Tam quan of folk architecture Tam quan of Thượng Temple (built in the style of Láng Temple). A Tam quan (chữ Hán: 三關) or Tam môn (chữ Hán: 三門) is a style of traditional gateway symbolic of Vietnamese Buddhism.
Tube houses (Vietnamese: nhà ống) are a vernacular architectural form of shophouse endemic to Vietnam, characterized by their narrow width and multistory structure. [1] [2] Common throughout the country, tube houses have proliferated as a result of limited building space and property taxation policies assessing only the first floor width of homes. [3]
The Mechanics and Crafts of the People of Annam (French: Technique du peuple Annamite; Vietnamese: Kỹ thuật của người An Nam, chữ Nôm: 技術𧵑𠊛安南) is a multi-volume colonial manuscript created by Henri Joseph Oger (1885-1936), [1] a colonial official who commissioned artists to record the culture of the Annamese (Vietnamese) in Hanoi and the area around it during the ...