Search results
Results From The WOW.Com Content Network
Genres reflected a mix of African, Irish, and Scottish music traditions and instruments. [2] Contrary to the Christian-derived music of the colonial elite, bhajans were important to Indo-Guyanese music. Tan singing and folk music accompanied by tassa drums followed instruments such as the harmonium, sitar, tabla, dholak and dhantal.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Shanto is a form of Guyanese music, related to both calypso and mento. [1] It became a major part of early popular music through its use in Guyanese vaudeville shows; songs are topical and light-hearted, often accompanied by a guitar. [2] The word "shanto" is a conflation of "shanty" - the term used in Guyana for work songs - and "calypso
Guyana's musical tradition is a mix of African, Indian, European, and Latin elements. The most popular type of music is Calypso and its offshoots and mixes, like in other parts of the Eastern Caribbean. The various types of popular music include reggae, calypso, chutney, Soca, local Guyanese soca-chutney and Bollywood film songs (or Indian music).
Rodway was a music teacher at the St. Ambrose Primary School in Alberttown, Georgetown for many years. [18] She composed some of the country's most recognized cultural and patriotic songs [16] and has been considered Guyana's greatest composer of national music. [1]
Shanto is a form of Guyanese music, related to both calypso and mento, [12] and became a major part of early popular music through its use in Guyanese vaudeville shows; songs are topical and light-hearted, often accompanied by a guitar. [13] Other genres include: Chutney; Chutney Soca; Dancehall; Calypso
"Green Land of Guyana", also known by its opening line "Dear Land of Guyana", is the national anthem of Guyana. Robert Cyril Gladstone Potter composed the music, while the lyrics were authored by Archibald Leonard Luker. Two separate contests were held to determine the words and the tune, respectively.
In the late 1920s, he developed the concept of "shanto" music, which he described as "an improvisation of words and music with an Afro-West Indian beat, with satirical comments on people, events and things...". His songs were aimed at, and commented on issues relevant to the everyday lives of, the working-class urban population of Guyana. [1] [2]