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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
The song was written by Jay-Z, Timberlake, The-Dream, R.E.M., Adrian Younge, Timbaland, and J-Roc, while the production was handled by the latter two. During the song, Jay-Z touches on subjects of religious allegory and an interrogation of organized religion. The song has since peaked at number 10 on the Billboard Bubbling Under Hot 100 Singles.
Every time I feel the Spirit moving in my heart I will pray. Yes, every time I feel the Spirit moving in my heart I will pray Verse 1 Upon the mountain, when my Lord spoke, out of God's mouth came fire and smoke. Looked all around me, it looked so fine, till I asked my Lord if all was mine. [Refrain] Verse 2 Jordan River, chilly and cold,
The song is mentioned in James Joyce's Ulysses (1922). [5] It gained renewed popularity when it was sung by Jeanette MacDonald in the 1936 hit film San Francisco. [6] [7] The melody formed the basis of a Spiritual titled Hosanna, which in turn was the basis for the opening of Duke Ellington's "Black and Tan Fantasy".
"We Believe" is mainly based on both the Apostles' Creed and the Nicene Creed [2] translating the historic confession of the church's faith into a communal affirmation and helps the Christian church to contextualize its confession of faith in the Triune God (the Christian doctrine of the Trinity): [3] The song asserts a Christian's fundamental beliefs saying "let our faith be more than anthems ...
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
"Kum ba yah" ("Come by here") is an African-American spiritual of disputed origin, known to have been sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved Central Africans.
Lord, I Want to Be a Christian is an African American spiritual. It was likely composed in 1750s Virginia by enslaved African-American persons exposed to the teaching of evangelist Samuel Davies. [1] The music and lyrics were first printed in the 1907 Folk Songs of the American Negro, edited by Frederick J. Work.