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"Hello, I Love You" is a song recorded by American rock band the Doors for their 1968 album Waiting for the Sun. Elektra Records released it as a single that same ...
The remaining songs are from the band's first three studio albums and a non-album recording, their cover of "Hello, I Love You" originally by The Doors, which was included in the first pressing of the Missing Persons EP (1980), [3] later included as a B-side to the "Words" single. [4]
Similarities between the song and the Doors' 1968 song, "Hello, I Love You" have been pointed out. Ray Davies said on the topic: "My publisher wanted to sue. I was unwilling to do that. I think they cut a deal somewhere, but I don't know the details." [12] Dave Davies added: "That one is the most irritating of all of them ... I did a show where ...
Waiting for the Sun includes the band's second chart topper, "Hello, I Love You", [17] one of the last remaining songs from Morrison's 1965 batch of tunes. It had been demoed by the group for Aura Records in 1965 before guitarist Robby Krieger had joined the group, as had "Summer's Almost Gone".
Oleander recorded a cover of "Hello, I Love You" for Stoned Immaculate: The Music of The Doors, a tribute album released in November 2000. The band released their second official album, Unwind, in 2001. Their major label sophomore effort included the hit song "Are You There?".
Hello! I'm Erin Jensen, and I have convinced my employer, USA TODAY, to help me conduct a search across the country for one extraordinary Valentine. As a single, 37-year-old woman who finds fewer ...
"Love Me Two Times" Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton, Joey Kramer, Robby Krieger and Ray Manzarek: 3:20: 7. "Under Waterfall" (The Doors) Jim Morrison, Ray Manzarek, Robby Krieger, John Densmore and Ralph Sall: 3:12: 8. "Wild Child" Ian Astbury, Billy Duffy, Matt Sorum, Ray Manzarek, Danny Saber and Scott Breadman: 3:22: 9.
Billboard described the single as having "all the drive and rhythm of their No. 1 winner 'Hello, I Love You'," stating that "the Doors have a smash follow -up here." [7] Cash Box described it as "a marvelous track" in which the Doors "add a helping of beat to their hard-hitting style." [8]