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The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
The following list enumerates a selection of Marian, Josephian, and Christological images venerated in the Roman Catholic Church, authorised by a Pope who has officially granted a papal bull of Pontifical coronation to be carried out either by the Pontiff, his papal legate or a papal nuncio.
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
In some 19th-century images, biblical scenes are included below the image of the Madonna, e.g. Peter's visions as well as the depiction of a safe harbor (Psalm 108:30). [7] The term "Refugium peccatorum" is also used other works of Roman Catholic Marian art.
In Christian art, a Madonna (Italian:) is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus. These images are central icons for both the Roman Catholic and Orthodox churches. [1] The word is from Italian ma donna 'my lady' (archaic).
Marian image Shrine of devotion La Madonna della Febbre: 27 May 1631: Sacristy of Saint Peter's Basilica: Pope Urban VIII: La Madonna dei Monti [1] 3 September 1632 Santa Maria ai Monti, Rome: Pope Urban VIII Madonna di Strada Cupa [2] 5 April 1634 Santa Maria in Trastevere, Rome: Pope Urban VIII Madonna della Pace [3] 29 July 1634 Santa Maria ...