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"Wildwood Weed" is a 1964 country-western parody song written by Don Bowman. It was the first track of Bowman's debut album, Our Man in Trouble..."It Only Hurts When I Laugh" , under RCA Victor . Its most famous version was recorded in 1974 by Jim Stafford and became the fourth of four U.S. Top 40 singles from his eponymous debut album .
Jim Stafford is the 1974 debut album from American singer Jim Stafford.It was issued subsequent to the release of the first two singles. The LP reached No. 55 on the U.S. Top LPs chart.
Stafford's first chart hit was "Swamp Witch", produced by Lobo, [6] which cracked the U.S. top 40 in July 1973. On March 2, 1974, his biggest hit, "Spiders & Snakes", peaked at number three on the Billboard Hot 100 and number 14 in the BBC Top 50 in the UK, selling over two million copies, earning a gold disc by the RIAA that month. [6]
Wildwood Weed; Willie Got Me Stoned; Y. Young, Wild & Free; Z. Zaza (song) This page was last edited on 30 June 2023, at 08:52 (UTC). Text is available under ...
The English suffix-mania denotes an obsession with something; a mania. The suffix is used in some medical terms denoting mental disorders . It has also entered standard English and is affixed to many different words to denote enthusiasm or obsession with that subject.
The lyrics employ double entendre, leading the listener to infer that the men, as the title also suggests, are themselves involved in a romantic relationship. However, in the last verse a twist occurs; the narrator speaks of a woman who has been the men's mutual love interest but who has now summarily rejected Bill, and he is explaining the ...
“And my friends all smell like weed or little babies / And this city reeks of driving myself crazy / Little did you know your home’s really only Breaking Down Taylor Swift's Heartbreak ...
Many use unusual lyrics, subjects, sounds, or instrumentation, and may not even be musical. For example, the 1966 novelty song " They're Coming to Take Me Away, Ha-Haaa! ", by Napoleon XIV , has little music and is set to a rhythm tapped out on a snare drum , a tambourine , and the bare sides of the musicians' legs.