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This was in contrast to the earlier practice of one voice moving in a free rhythm above a "tenor" voice (Latin tenere: "to hold") sustaining the long notes of a cantus firmus. The tenor line was often repeated to allow for expansion of the clausula; this was the origin of the technique known as isorhythm.
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Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
The Harvard Concise Dictionary of Music and Musicians says, "This cadence is a microcosm of the tonal system, and is the most direct means of establishing a pitch as tonic. It is virtually obligatory as the final structural cadence of a tonal work." [2] Authentic cadences are generally classified as either perfect or imperfect.
Musicologists associated with the new musicology often use musical analysis (traditional or not) along with or to support their examinations of the performance practice and social situations in which music is produced and that produce music, and vice versa. Insights from the social considerations may then yield insight into analysis methods.
A work for one or more solo instruments accompanied by an orchestra Concertino: little concert: A short concerto; the solo instrument in a concerto Concerto grosso: big concert: A Baroque form of concerto, with a group of solo instruments Da capo aria: from the head aria: A three-section musical form Dramma giocoso: jocular drama: A form of ...
Moving to the subdominant is a standard practice in the trio section of a march in a major key, while a minor march will typically move to the relative major. Changes of key may also represent changes in mood. In many genres of music, moving from a lower key to a higher often indicates an increase in energy.
With exception of vú and zō they do roughly correspond to Western solmization syllables as re, mi, fa, sol, la, si, do. Byzantine music uses the eight natural, non-tempered scales whose elements were identified by Ēkhoi, "sounds", exclusively, and therefore the absolute pitch of each note may slightly vary each time, depending on the ...