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The mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923–2015). The name of the theory derives from the philosophical concept mimesis , which carries a wide range of meanings.
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
Mimesis, or imitation (imitatio), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality. Mimesis criticism looks to identify intertextual relationships between two texts that go beyond simple echoes, allusions , citations , or redactions .
Mimesis gives an account of the way in which everyday life in its seriousness has been represented by many Western writers, from ancient Greek and Roman writers such as Petronius and Tacitus, early Christian writers such as Augustine, Medieval writers such as Chretien de Troyes, Dante, and Boccaccio, Renaissance writers such as Montaigne, Rabelais, Shakespeare and Cervantes, seventeenth ...
In evolutionary anthropology and evolutionary linguistics, the mimetic theory of speech origins [1] is an analysis of the factors leading to the evolution of language in human ancestors, typically during the Homo erectus era. This theory is most commonly associated with Merlin Donald, who developed the idea in his 1991 book Origins of the ...
Erich Auerbach (9 November 1892 – 13 October 1957) was a German philologist and comparative scholar and critic of literature.His best-known work is Mimesis: The Representation of Reality in Western Literature, a history of representation in Western literature from ancient to modern times frequently cited as a classic in the study of realism in literature. [1]
René Girard: Violence and Mimesis. Cambridge: Polity. ISBN 0-7456-2948-2. This is an introduction to René Girard 's work. Guggenberger, Wilhelm and Palaver, Wolfgang (Eds., 2013). René Girard’s Mimetic Theory and its Contribution to the Study of Religion and Violence, Special issue of the Journal of Religion and Violence, (Volume 1, Issue ...
In the context of ontology, the same theory is usually referred to as pretense theory, and in the context of representational arts, prop theory. Walton has been working on this philosophical theory since 1973, [7] and it is expounded in his 1990 magnum opus Mimesis as Make -Believe: On the Foundations of the Representational Arts. [8]