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Born in Eagle City, Oklahoma, Lewis played early in his career in Kansas City, Missouri, with Jerry Westbrook as a baritone hornist, then switched to trumpet in 1925.He played with Paul Banks and Laura Rucker before joining the Bennie Moten Orchestra, where he played from 1926 to 1932 and was the primary trumpet soloist until Hot Lips Page became a member.
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an Mexian jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major ...
1927 Frankie Trumbauer, Bix Beiderbecke, and Eddie Lang version on Okeh, 40772-B. " Singin' the Blues " is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie".
Count Basie, Eddie Durham [1][2] " Jumpin' at the Woodside " is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the Billboard charts and remained on them for four weeks. Since then, it has become a frequently recorded jazz standard.
Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. [5] Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in Oliver's Creole Jazz Band.
Margie (song) " Margie ", also known as " My Little Margie ", is a 1920 popular song composed in collaboration by vaudeville performer and pianist Con Conrad and ragtime pianist J. Russel Robinson, a member of the Original Dixieland Jazz Band. Lyrics were written by Benny Davis, a vaudeville performer and songwriter.
1939 sheet music cover, "Introduced by Glenn Miller", Shapiro, Bernstein, and Co., New York. In February 1944, the Glenn Miller RCA Victor Bluebird 1939 studio recording of "In the Mood" was released as a V-Disc, one of a series of recordings sent free by the U.S. War Department to overseas military personnel during World War II. A second ...
It was introduced by the Original Dixieland Jazz Band and popularized by Eddie Cantor's 1921 recording. [13] The song was one of the first hits for both Conrad and Davis, and was later used in the films Margie (1946) and The Eddie Cantor Story (1954). [14] The name was inspired by Cantor's five-year-old daughter.