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One: Number 31, 1950 is a painting by American painter Jackson Pollock, from 1950. It is one of the largest and most prominent examples of the artist's Abstract Expressionist drip-style works. [1] The work was owned by a private collector until 1968 when it was purchased by the Museum of Modern Art, in New York, where it has been displayed ...
Paul Jackson Pollock (/ ˈ p ɒ l ə k /; January 28, 1912 – August 11, 1956) was an American painter.A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.
Number 17A is an abstract expressionist painting by American painter Jackson Pollock, from 1948. The painting is oil paint on fiberboard and is a drip painting, created by splashing paint onto a horizontal surface. It was painted a year after Jackson Pollock introduced his drip technique.
In several paintings that Pollock painted after his classic drip painting period of 1947–1950, he used the technique of staining fluid oil paint and house paint into raw canvas. During 1951 he produced a series of semi-figurative black stain paintings, and in 1952 he produced stain paintings using color.
Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. [1] The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works. [1] [2]
Janet Sobel (May 31, 1893 – November 11, 1968), born Jennie Olechovsky (occ. Lechovsky [1]), was a Ukrainian-born American Abstract Expressionist painter whose career started mid-life, at age forty-five [2] in 1938. Sobel pioneered the drip painting technique; her work directly influenced Jackson Pollock. [3]
These days, words like “periodt,” “GYAT,” “cap” and “drip” reign supreme in the comments section of Instagram and TikTok posts. They also appear in the sales language for Tiffany ...
The painting was modified by Pollock after it was originally created. During January 1949, it was being shown in a solo Pollock show at the Betty Parsons gallery. It was from here that Alfonso A. Ossorio decided to purchase a "paint drip" composition; he chose No. 5, 1948 and paid $1,500. It was the only canvas sold from the show. [4]