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HPSCHD premiered before an audience of 6000 on May 16, 1969, at the Assembly Hall of Urbana Campus, University of Illinois. Conceived as a highly immersive multimedia experience, the performance featured David Tudor, Antoinette Vischer, William Brooks, Ronald Peters, Yūji Takahashi, Neely Bruce and Philip Corner playing harpsichords whose sounds were captured and amplified, 208 tapes playing ...
Jean-Philippe Rameau, by Joseph Aved, 1728. The French Baroque composer Jean-Philippe Rameau wrote three books of Pièces de clavecin for the harpsichord.The first, Premier Livre de Pièces de Clavecin, was published in 1706; the second, Pièces de Clavessin, in 1724; and the third, Nouvelles Suites de Pièces de Clavecin, in 1726 or 1727.
The 1717 edition added a new preface and a supplement outlining fingering for the second book of Pièces de Clavecin. [ 1 ] L'art de toucher le clavecin was one of the last books to include unmeasured preludes for harpsichord (though bar numbers were added for teaching purposes), along with Nicolas Siret 's second volume of harpsichord pieces ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
In 1959 he published The Harpsichord and Clavichord: an Introductory Study, with accurate and detailed analysis and descriptions of the instruments. Russell was an early advocate of a historically-informed approach to instrument-building, based on study of surviving historical examples, and a return to traditional methods of both performance ...
Resonance made visible with black seeds on a harpsichord soundboard Cornstarch and water solution under the influence of sine wave vibration A demonstration of sand forming cymatic patterns on a metal plate. Cymatics (from Ancient Greek: κῦμα, romanized: kŷma, lit. 'wave') is a subset of modal vibrational phenomena.
The Harpsichord Owner's Guide. Chapel Hill: University of North Carolina Press. Kottick, Edward (2003). A History of the Harpsichord. Indiana University Press. ISBN 0-253-34166-3. An extensive survey by a leading contemporary scholar. Russell, Raymond (1973). The Harpsichord and Clavichord: an introductory study (2nd ed.). London: Faber and Faber.
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...