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All ethnographic writing is done by a person from one standpoint writing about others living in a different standpoint. Thus, the notion of anthropologists as 'culture brokers' (see Richard Kurin) has been adopted to explain why anthropologists from any given country write about cultural others.
For example, driving the wrong way down a busy one-way street can reveal myriads of useful insights into the patterned social practices, and moral order, of the community of road users. The point of such an exercise—a person pretending to be a stranger or boarder in their own household—is to demonstrate that gaining insight into the work ...
Ethnopoetics is a method of recording text versions of oral poetry or narrative performances (i.e. verbal lore) that uses poetic lines, verses, and stanzas (instead of prose paragraphs) to capture the formal, poetic performance elements which would otherwise be lost in the written texts.
In her example, Ottenheimer describes how the topic "plants" can be divided into the two categories "lettuce" and "weeds". Ethnosemantics can help anthropologists to discover whether a particular culture categorizes "dandelions" as a "lettuce" or a "weed", and using this information can discover something about how that culture thinks about plants.
Ethnohistory uses both historical and ethnographic data as its foundation. Its historical methods and materials go beyond the standard use of documents and manuscripts. Practitioners recognize the use of such source material as maps, music, paintings, photography, folklore, oral tradition, site exploration, archaeological materials, museum ...
Anthropologists began conducting ethnographic research in the mid-1800s to study the cultures people they deemed "exotic" and/or "primitive." [15]: 6 Typically, these early ethnographers aimed to merely observe and write "objective" accounts of these groups to provide others a better understanding of various cultures.
Women Writing Culture took three forms: a 1991 seminar at the University of Michigan, a 1993 special issue of the journal Critique of Anthropology, and the 1995 book.These were organized, in part, in response to the 1986 book Writing Culture: The Poetics and Politics of Ethnography, edited by James Clifford and George E. Marcus. [7]
As a discipline, cultural analysis is based on using qualitative research methods of the arts, humanities, social sciences, in particular ethnography and anthropology, to collect data on cultural phenomena and to interpret cultural representations and practices; in an effort to gain new knowledge or understanding through analysis of that data and cultural processes.