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To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. The most popular form of music in Laos is the indigenous mor lam.
Lao music today comes in a wide variety of styles and from different national origins. Outside of Laos, Lao music is mainly created in the United States, France and Canada. An increasing amount of transnational Lao (alternative) rock, pop and hip hop created a new 'oeuvre' next to the traditional Lao music like morlam.
The xo ou (BGN/PCGN)/so u (RTGS), the low-pitched fiddles common in some styles of lam from southern Laos and most of northeastern Thailand.. As the lowland areas of Laos and Isan are essentially one shared cultural region of Lao people, few differences, especially at its most traditional level, are present to distinguish traditional forms on either side.
This still affects today's chanson as many French musicians still employ harp and keyboard. During the 18th century, vocal music in France was dominated by opera , but solo song underwent a renaissance in the 19th century, first with salon melodies and then by mid-century with highly sophisticated works influenced by the German Lieder , which ...
Southeast Asian music encapsulates numerous musical traditions and styles in many countries of Southeast Asia. This subregion consists of eleven countries, namely, Brunei , Cambodia , East Timor , Indonesia , Laos , Malaysia , Myanmar , Philippines , Singapore , Thailand and Vietnam , which accommodate hundreds of ethnic groups.
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“If history isn’t documented, then it’s forgotten,” a librarian involved in creating Fresno State’s Hmong history repository said. Hmong culture in 1960s war-torn Laos documented by ...
One journal that provides coverage of popular music in France along with popular music history is Volume!. Volume! (subtitled in French:La revue des musiques populaires - The journal of popular music studies) is a biannual (May & November) peer-reviewed academic journal "dedicated to the study of contemporary popular music". [12]