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"Turn, Turn, Turn" is the seventeenth episode of the first season of the American television series Agents of S.H.I.E.L.D. Based on the Marvel Comics organization S.H.I.E.L.D., it follows Phil Coulson and his team of S.H.I.E.L.D. agents as they discover the infiltration of their organization by Hydra.
Garrett believes that they should compartmentalize the information to withhold this from the Clairvoyant. Coulson assigns Skye to choose which candidates to pursue and to pair the agents into teams; he promotes her into a full-fledged S.H.I.E.L.D. agent to help her gain access to the information.
In December 2013, Marvel revealed that the fourteenth episode would be titled "T.A.H.I.T.I.", and would be written by executive producer Jeffrey Bell, with Bobby Roth directing. [1] The episode title refers to Project T.A.H.I.T.I., which is an acronym for "Terrestrialized Alien Host Integrative Tissue I". [ 2 ]
In the United States the episode received a 2.1/6 percent share among adults between the ages of 18 and 49, meaning that it was seen by 2.1 percent of all households, and 6 percent of all of those watching television at the time of the broadcast. It was watched by 5.95 million viewers. [7]
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
It should not be used for full-length plays that have no act divisions. Pages in category "One-act plays" The following 139 pages are in this category, out of 139 total.
Howell estimates his group has submitted around 65,000 requests to federal agencies under the Freedom of Information Act, a law that governs public access to records produced by the government.
The Clairvoyant (US title: The Evil Mind) is a 1935 [1] British drama film directed by Maurice Elvey and starring Claude Rains, Fay Wray, and Jane Baxter. Based on the novel of the same name by Ernst Lothar, it was made at Islington Studios. [2] The film's sets were designed by the German art director Alfred Junge.