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The Virgin Suicides was Sofia Coppola's feature directorial debut. The film then opened on April 21, 2000, in New York, San Francisco, and Los Angeles. The film starred Kirsten Dunst, James Woods, Kathleen Turner, and Josh Hartnett. The film is faithful to the novel; much of the dialogue and narration is taken verbatim from its source.
The Virgin Suicides premiered at the 1999 Cannes Film Festival and received a limited theatrical release on April 21, 2000, in the United States, later expanding to a wide release in May 2000. The film earned largely positive reviews from critics, with the performances of the cast, Coppola's direction, visual style, and soundtrack receiving praise.
In The Virgin Suicides, Eugenides resplendently portrayed the intense fear during virginal sex, as well as Gabriel García Márquez, the 1982 Nobel Prize in Literature laureate; in Middlesex, the single event in which the novel "comes to life" is Eugenides' depiction of Callie's liaison with her adolescent lover; and in The Marriage Plot, the ...
Eugenides published short stories in the nine years between The Virgin Suicides and Middlesex, primarily in The New Yorker. His 1996 story "Baster" became the basis for the 2010 romantic comedy The Switch. Eugenides temporarily put Middlesex aside in the late '90s to begin work on a novel that would eventually serve as the basis for his third. [2]
Because SparkNotes provides study guides for literature that include chapter summaries, many teachers see the website as a cheating tool. [7] These teachers argue that students can use SparkNotes as a replacement for actually completing reading assignments with the original material, [8] [9] [10] or to cheat during tests using cell phones with Internet access.
The Virgin Suicides (Music from the Motion Picture) is the soundtrack accompanying the 1999 debut feature film by director Sofia Coppola.Released by Emperor Norton Records on March 28, 2000, the album features classic rock and pop songs by Todd Rundgren, Heart, Sloan, The Hollies, Al Green, Gilbert O'Sullivan, 10cc and Styx; plus two tracks from the French electronic music duo Air.
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Director Sofia Coppola has borrowed heavily from Picnic at Hanging Rock for her productions of The Virgin Suicides and Marie Antoinette. [25] Both films, like Picnic at Hanging Rock, deal extensively with themes of death and femininity as well as adolescent perceptions of love and sexuality. [26] [27]