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The instrument became a folk instrument of the poor and of ethnic minorities in Turkey, including Rûm, Armenians, Jews, Kurds, and Romani, "playing indigenous folk music or repertoires shared with ethnic Turks." It was excluded specifically by classical musicians of the era, being seen as lower-class or ethnic.
Chitarra battente, a.k.a. "knocking guitar" (Italy) Clavichord (keyboard instrument) Clavinet (electric keyboard instrument) Đàn tam thập lục (Vietnam) Fiddlesticks; Hammered dulcimer; Harpejji; Jhallari; Khim (Thailand and Cambodia) Piano (Keyboard instrument) Santur/Santoor (Persia, India, Pakistan, Greece) Tsymbaly (Ukraine) Utogardon ...
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
Rebab (Arabic: ربابة, rabāba, variously spelled rebap, rubob, rebeb, rababa, rabeba, robab, rubab, rebob, etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. [1]
Traditional Middle Eastern music does not use chords, or harmony in the Western sense. Often, more traditional Middle-Eastern music can last from one to three hours in length, building up to anxiously awaited, and much applauded climaxes, or tarab , derived from the Arabic term طرب tarraba .
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The musical scale of the bağlama differs from that of many western instruments – such as the guitar – in that it features ratios that are close to quarter tones. The traditional ratios for bağlama frets are listed by Yalçın Tura: [3] Fret 1: 18/17; Fret 2: 12/11; Fret 3: 9/8; Fret 4: 81/68; Fret 5: 27/22; Fret 6: 81/64; Fret 7: 4/3 ...