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Of the character "Sally" referred to in the song, he commented, "I don't actually know anybody called Sally. It's just a word that fit, y'know, might as well throw a girl's name in there." [8] He explained the song by saying, "It's about not being upset about the things you might have said or done yesterday, which is quite appropriate at the ...
Sally in Our Alley was a 1902 Broadway musical comedy show. [1] It helped Marie Cahill reach stardom [2] and popularized songs. The title refers to the popular saying that developed from the British song "Sally in Our Alley". The show helped popularize the song "Under the Bamboo Tree". George V. Hobart wrote the musical and its song lyrics.
And so Sally can stop waiting.Exactly 15 years after breaking up on Aug. 28, 2009 — and 30 years after releasing their debut album, Definitely Maybe, on Aug. 29, 1994 — Britpop icons Oasis ...
Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton (inspired by the 19th century show, Sally in our Alley), with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn in New York City.
Thirty-five years ago, the world was introduced to Harry Burns and Sally Albright, two bumbling New Yorkers who fall in and out of each other's lives before finding love 12 years after meeting.
"Sally in Our Alley" is a traditional English song, originally written by Henry Carey in 1725. [ citation needed ] It became a standard of British popular music over the following century. [ 1 ] The expression also entered popular usage, giving its name to a 1902 Broadway musical and several films including Sally in Our Alley , the 1931 screen ...
Pepsi got the right ones (baby!) when they cast Beyoncé, Britney Spears and Pink in a Gladiator-inspired commercial. While the brand spent lots of money to make it, the ad ended up never airing ...
Sally Can't Dance is the fourth solo studio album by American rock musician Lou Reed, released in September 1974 by RCA Records. [5] Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. [ 6 ]