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However, "Pride of Cucamonga" and "Unbroken Chain" were both written and sung by bassist Phil Lesh with the assistance of poet Bobby Petersen. This was the only time he would sing two songs on a Dead studio album, and they would be his final lead vocal work for the band until 1985.
"Will the Circle Be Unbroken?" is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song is often recorded unattributed and, because of its age, has lapsed into the public domain. Most of the chorus appears in the later songs "Can the Circle Be Unbroken" and "Daddy Sang Bass".
Most versions of the song use the alternate title "Will the Circle Be Unbroken". In 1998, it was inducted into the Grammy Hall of Fame. Almost all cover versions of the song use a straight 4/4 meter throughout, while the Carter Family recording from 1927 uses bars of 3/4 near the end of each verse and twice in the chorus.
Blue Light Rain is the debut album by the instrumental Grateful Dead cover band Jazz Is Dead.It was released in 1998 by Zebra Records.The album features guitarist Jimmy Herring, keyboard player T. Lavitz, bassist Alphonso Johnson, and drummer Billy Cobham.
Robert Frost made use of Rubaiyat in chain rhyme form in his poem, "Stopping by Woods on a Snowy Evening." Chain rhyme also known as “chain verse or interlocking rhyme" is a type of poetic technique where the poet uses the last syllable of a line and repeats it as the first syllable of the line following. Although the syllable is repeated, it ...
"I Am Stretched on Your Grave" is a translation of an anonymous 17th-century Irish poem titled "Táim sínte ar do thuama". [1] It was translated into English several times, most notably by Frank O'Connor.
No, it’s not about the video game. “Fortnight,” the first single from Taylor Swift’s “The Tortured Poets Department,” is a duet with Post Malone.. Before we delve into the lyrics, let ...
It is listed in the Roud Folk Song Index, number 10075. The title is biblical, based on Luke 9:62. The earliest date in which this spiritual appears in written form is in 1917, in the Cecil Sharp Collection, while the earliest recording is from 1930 under the title of "Keep Yo' Hand on the Plow, Hold On" by the Hall Johnson Negro Choir.