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The sound made by this instrument closely imitates the noises made by rain or running water with rich and vibrant tones "like bells". The sound has a special presence; one that feel the music as much as one hears it. [17] Penetrating and warming at the same time, immediately capturing the involvement of the listeners and drawing them into its mood.
On the issue of 11 April 1998, British trade paper Music Week reviewed "Sound of Drums", noting its Doors-influenced sound and "anthemic" lyrics. [9] British columnist James Masterton also compared the song to works by the Doors, calling it "energetic" but criticising its originality, writing that " Smash Mouth 's Walking On The Sun may have ...
Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [ 1 ] ), play, and other songs .
He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja is said to have composed thousands of devotional compositions, most of them in praise of Lord Rama ; some of which remain very popular even today.
Traditional Inuit music (sometimes Eskimo music, Inuit-Yupik music, Yupik music or Iñupiat music), the music of the Inuit, Yupik, and Iñupiat, has been based on drums used in dance music as far back as can be known, and a vocal style called katajjaq [1] (Inuit throat singing) has become of interest in Canada and abroad.
Traditional Zambian instruments include a variety of membranophones, [2] both stick-struck and hand-struck. Drums are essential for most traditional dances. Ngoma is the generic central Bantu term for drum but Zambian drums come in a variety of sizes, shapes, and purposes and have specific names depending on their tribal origins and functional roles.
Two sticks made of peepul tree or bamboo are used to beat the drum. [12] A variation of the equipment called Kinai Parai, essentially a larger drum hung from tree tops that would be played to announce an incoming battle or war. [4] The parai used in Sri Lanka is a double-sided drum compared to a skinnier one-sided drum used in Tamil Nadu. [17]
These instruments are critical for most traditional Santal music because they provide the metric foundation for the music. The Tumdak' is a hand-struck two-headed drum. The body of the drums made from clay. Like most similar Indian drums, the left head is larger than the right. Leather straps zigzag from head to head to connect and keep them tight.