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Haute couture (/ ˌ oʊ t k uː ˈ tj ʊər / ⓘ; French pronunciation: [ot kutyʁ]; French for 'high sewing', 'high dressmaking') is the creation of exclusive custom-fitted high-end fashion design. The term haute couture generally refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper ...
Comparison between male fashion in 1714 and 1726. Wigs in a variety of styles were worn for different occasions and by different age groups. The large high parted wig of the 1690s remained popular from 1700 until around 1720. During this time various colors were worn, but white was becoming more popular and the curls were getting tighter.
Chinoiserie in fashion refers to the any use of chinoiserie elements in fashion, especially in American and European fashion. Since the 17th century, Chinese arts and aesthetic were sources of inspiration to European artists, creators, [1]: 52 and fashion designers when goods from oriental countries were widely seen for the first time in Western Europe.
In the 1939 film The Wizard of Oz, American entertainer Judy Garland wore a blue-and-white dress in her seminal role as Dorothy Gale throughout the film. Also nicknamed the "Dorothy dress", [1] [2] [3] it was designed for the film by MGM costume designer Adrian, who based it on L. Frank Baum's description of Dorothy's dress in his children's book The Wonderful Wizard of Oz (1900).
During her lifetime, Margaret was considered a fashion icon. [239] [240] [241] Her fashion earned the nickname 'The Margaret Look'. [241] The princess, dubbed a 'royal rebel', styled herself in contrast to her sister's prim and timeless style, adopting trendy mod accessories, such as brightly coloured headscarves and glamorous sunglasses.
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Christian Ernest Dior (French: [kʁistjɑ̃ djɔʁ]; 21 January 1905 – 24 October 1957) was a French fashion designer and founder of one of the world's top fashion houses, Christian Dior SE. His fashion house is known all around the world, having gained prominence "on five continents in only a decade." [2]
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.