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"Suicide Is Painless" (also known as "Theme from M*A*S*H" or "Song from M*A*S*H") is a song written by Johnny Mandel (music) and Michael Altman for the 1970 film M*A*S*H. In addition to being performed by characters in the film, it plays during the title sequence as sung by The Ron Hicklin Singers .
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M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American media franchise consisting of a series of novels, a film, several television series, plays, and other properties, and based on the semi-autobiographical fiction of Richard Hooker.
The love theme for that film, "The Shadow of Your Smile", which he co-wrote with Paul Francis Webster, won the 1965 Academy Award for Best Original Song and the Grammy Award for Song of the Year in 1966. [11] Mandel performed an interpretation of Erik Satie's "Gnossiennes #4 and #5" on the piano for the film Being There (1979). [10] [13]
Alan Alda (left), Wayne Rogers (right), McLean Stevenson (in back) and Loretta Swit (in front) from the first season of M*A*S*H M*A*S*H is an American television series developed by Larry Gelbart and adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors by Richard Hooker). It follows a team of doctors and support staff ...
MASH: A Novel About Three Army Doctors is a 1968 novel written by Richard Hooker (the pen name of former military surgeon H. Richard Hornberger) with the assistance of writer W.C. Heinz. [1] It is notable as the foundation of the M*A*S*H franchise , which includes a 1970 feature film and a long-running TV series (1972–1983).
The 4077th gears up for the annual Army-Navy game until an unexploded shell hits the compound. Note: The first of three consecutive episodes that would feature a 'jazzier' version of the opening theme song Suicide is Painless. After that, the theme would return to the more familiar version.
October 17, 1951 Radar writes about the typical shenanigans during a week at the 4077th: Hawkeye tries to romance a new Nurse; Trapper John loses a patient; Houlihan and Burns push Blake for Klinger's Section 8 (military) discharge; a wounded prisoner goes berserk in the O.R. Allan Arbus makes his first appearance as Dr. Freedman (here first-named Milton but later changed to Sidney).